Red Mile Records mixing and mastering studio in Calgary Alberta — control room with Yamaha HS8 monitors and mixing console
Calgary, Alberta — Remote Available

Professional Mixing & Mastering in Calgary

Spotify-ready. Platform-normalized. Delivered in 5–10 business days.

The Difference It Makes

Before & After Professional Mixing

What changes when a professional engineer mixes and masters your track.

Before Mixing

Vocals buried or too loud in the mix
Bass and kick fighting for space
Harsh, harsh, or dull high frequencies
Flat, narrow stereo image
Inconsistent energy across the track
Volume too quiet or clips on streaming

After Mixing & Mastering

Vocals sit perfectly in the pocket
Full, balanced low end with clarity
Smooth, detailed, professional top end
Wide, deep, three-dimensional soundstage
Consistent energy, punchy dynamics
–14 LUFS normalized, –1 dBTP True Peak
Every Mix & Master

What's Included in Your Mix & Master

A complete, transparent process from raw tracks to release-ready files.

Full stereo mix from submitted tracks or stems
One round of revisions included at no charge
Mastered to –14 LUFS integrated (Spotify standard)
True Peak limiting at –1 dBTP (no distortion on streaming)
WAV (24-bit / 44.1kHz) and MP3 320kbps delivery
Stem mastering and broadcast formats on request
The Room

Mixing & Mastering Environment at Red Mile Records

Transparent Rates

Mixing & Mastering Rates

Remote services available to artists anywhere in Canada and beyond — send us your files digitally.

Mixing Only

Contact Us / song

Full stereo mix from your submitted tracks or stems. Includes one revision. 5–10 business day turnaround. WAV + MP3 delivery.

Get Quote

Mastering Only

Contact Us / song

Mastering from your approved stereo mix. 5–10 business day turnaround. –14 LUFS integrated, –1 dBTP True Peak, WAV + MP3.

Get Quote

EP and album packages available. Rush delivery options for tight release deadlines. Contact us to discuss your project.

Understanding the Process

Mixing and Mastering Audio — What You Need to Know

A question we hear constantly from artists: are mixing and mastering the same thing? They're not, and understanding the difference matters for your release. Mixing is the process of taking all your individual recorded tracks — vocals, instruments, beats, samples — and blending them into a balanced, cohesive stereo file. This involves EQ, compression, reverb, panning, and automation. Mastering is the final stage where the completed mix is optimized for loudness, tonal consistency, and format-specific delivery across all streaming platforms and playback systems.

A common follow-up: how hard is mixing and mastering? Technically speaking, the tools are widely available. But making accurate decisions in an untreated room on uncalibrated speakers leads to mixes that sound great in the studio and fall apart on consumer headphones, car speakers, or Bluetooth devices. Professional engineers with calibrated rooms and reference monitoring make decisions you simply can't make in an untreated bedroom — and the difference is audible.

How long does mixing and mastering take at Red Mile Records? We complete standard mixing in 5–10 business days per song, and mastering in 5–10 business days per song after you've approved the mix. Rush delivery is available for artists with tight release timelines — just let us know your date when you submit.

On the subject of the best software for mixing and mastering: at Red Mile Records we use Pro Tools for mixing and a professional mastering chain that includes Fab-Filter, iZotope, and outboard gear from Avalon. But our most important tool is the room — our monitoring environment is calibrated to translate accurately to every playback system your listeners will use.

Finally: what are the loudness standards for Spotify? Spotify normalizes playback to approximately –14 LUFS integrated. We master to that standard by default, with True Peak limiting at –1 dBTP to prevent digital distortion after encoding. If you need different targets for Apple Music (–16 LUFS), YouTube (–14 LUFS), or broadcast (–23 LUFS), just let us know and we'll deliver format-specific masters for each platform.

Our mixing and mastering service is available remotely — you don't need to be in Calgary. Simply send your project files or stems using a file transfer service like WeTransfer, Dropbox, or Google Drive. We'll send you a reference mix, you send feedback, we deliver your final files. Artists across Alberta and across Canada use our remote service.

The Process

What the Mixing & Mastering Process Looks Like

You send your stems or stereo mix with a reference track and notes. The engineer loads the session, listens through once, then builds the mix from the ground up: kick and bass first, then drums, instruments, and vocals on top.

Once the mix is balanced, the master stage sets the final loudness and tonal polish. We check it on multiple monitoring systems to make sure it translates everywhere. The first version comes back within our quoted turnaround. You send revision notes, we adjust, and the process repeats for up to three rounds.

Deliverables are a mastered WAV (24-bit) and MP3, ready to upload to your distributor. Stem masters and broadcast-format files are available on request.

Questions

Mixing & Mastering FAQ

What is the difference between mixing and mastering?

Mixing balances the individual tracks of a song — setting levels, panning, EQ, compression, and effects so every element sits in the right place. Mastering takes the finished mix and prepares it for distribution: final loudness, tonal polish, stereo width, and format compliance for streaming platforms. They are sequential steps, not interchangeable ones.

How do I send you my tracks for mixing?

Export each track as a separate WAV file (24-bit, at your session sample rate), all starting from the same bar-one position so they align. Remove any limiter or heavy master-bus processing. Upload the stems through the link we send you after booking, or share a Google Drive or Dropbox folder. Include your reference tracks and any notes on the vibe you want.

What loudness level will my master be?

We master to what the song and genre need, not to a single target number. Most modern pop, hip hop, and R&B masters land between -8 and -10 LUFS integrated with a true peak ceiling of -1 dBTP. Streaming platforms normalize playback, so we optimize for punch and clarity rather than hitting an arbitrary loudness number. We cover this in detail in our loudness guide.

How many revisions are included?

Each mix and master includes up to three rounds of revisions at no extra charge. Submit your revision notes in a single consolidated list per round — specific and timestamped ("kick too loud at 1:32," "more reverb on the hook vocal") gets you better results faster than vague feedback. Additional rounds beyond three are billed at our hourly rate.

Can I get just mastering without mixing?

Yes. If your mix is already where you want it, we offer standalone mastering. Send a stereo WAV bounce of your final mix (24-bit, no limiter on the master bus, peaking around -6 dB). We will master it for streaming loudness and deliver WAV and MP3 files ready for distribution.

Ready for a Radio-Ready Mix?

Submit your tracks to Red Mile Records — professional mixing and mastering, delivered fast.

Submit Your Tracks